CINEMA / PROFESSIONAL CREDITS
WORK
BEYOND
DIRECTION
Fourteen works. Twenty-two bounded professional credits. Editing, visual effects, color, sound editing, rotoscoping, post-production and executive-production work are shown only where a public source explicitly supports the attribution.
Return to Cinema01 / CREDIT FIELD
The post-production and production record.
02 / VERIFIED WORKS
Exact roles, work by work.
012023
fà-me
EditingVisual effectsColor grading
Open film record →022022
Paramour
Editing
Open film record →032018
Due Day
EditingSound editingVisual effects
Open film record →042016
Abbas Kiarostami
Editing
Open film record →052016
The World Upside Down
Editing
Open film record →062020
Checkmated
EditingColorist
07
Just About
EditingExecutive producer
082019
Third-Person Singular
Visual effectsExecutive producer
092017
Animal
Visual effects
102018
Tanaffos / Breathing
Visual effects
112019
Midday Event: Trace of Blood
Rotoscoping
122023
Il Cielo È Mio
Visual effectsColorist
132022
Il valore di una caramella
Post-production
142017
Finish
Editing
03 / HISTORICAL IDENTITY
How the earlier portfolio described the practice.
Graphic DesignerEditorVFX Artist
Those historical self-descriptions are retained as historical context only. They do not create a current proficiency rating or a claim that every work in the archive involved every discipline.
EVIDENCE BOUNDARY
Conflicts are excluded, not averaged.
Specific source attribution overrides generic profile roll-ups. Where a work credits another editor, VFX artist or colorist, that role is not assigned to Midia Kiasat. Poster design remains governed by the separate visual-design archive and is not silently reclassified as production art-department work.
Inspect machine-readable credits